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	<title>Jessalynn Keller</title>
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	<copyright>Copyright &#xA9; Jessalynn Keller 2011 </copyright>
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	<itunes:author>Jessalynn Keller</itunes:author>
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		<title>Fiercely Real?: Tyra Banks and the Making of New Media Celebrity</title>
		<link>http://www.jessalynnkeller.com/2012/04/01/fiercely-real-tyra-banks-and-the-making-of-new-media-celebrity/</link>
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		<pubDate>Sun, 01 Apr 2012 22:47:11 +0000</pubDate>
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		<description><![CDATA[After many years of recording America&#8217;s Next Top Model, following Tyra&#8217;s Twitter, and watching her live on-air sonogram one too many times, I was excited to get word that my article, &#8220;Fiercely Real?: Tyra Banks and the Making of New Media Celebrity&#8221; has been accepted for publication in Feminist Media Studies. Because it won&#8217;t be [...]]]></description>
			<content:encoded><![CDATA[<p><strong>After many years of recording <em>America&#8217;s Next Top Model</em>, following Tyra&#8217;s Twitter, and watching her live on-air sonogram one too many times, I was excited to get word that my article, &#8220;Fiercely Real?: Tyra Banks and the Making of New Media Celebrity&#8221; has been accepted for publication in <em>Feminist Media Studies</em>. Because it won&#8217;t be downloadable for another year, I&#8217;ll post the abstract here. Feel free to get in touch if you&#8217;d like to see an advanced version of the paper.</strong></p>
<p>&nbsp;</p>
<p>&#8220;<strong>Fiercely Real?: Tyra Banks and the Making of New Media Celebrity</strong><strong></strong></p>
<p><strong>Abstract:</strong></p>
<p><strong>This paper will examine former supermodel Tyra Banks as a contemporary “celebrity entrepreneur,” focusing on Banks’ recent shift from television persona to multimedia icon within a neoliberal popular culture. I argue that our contemporary new media environment, marked by convergent media texts, self branding, and interactivity provides a particularly useful space for Banks to globally circulate her postfeminist star text. Through her websites, Facebook, and Twitter confessionals, Banks is able to successfully navigate the contradictory discourses that insist female celebrities be both “authentic” selves while maintaining a disciplined, hegemonic femininity that becomes legitimized and naturalized. I conclude that while Banks’ mobilization of a hypervisibility and sense of individual agency generates an authenticity that may resonate with her fans, she remains contained by the neoliberal and postfeminist discourses that allow her to have such a prominent Internet presence. Consequently, this paper serves to raise unexplored questions about the relationship between celebrity culture, postfeminist and neoliberal subjectivities, and new media.</strong></p>
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		<title>The Hidden World of Girls</title>
		<link>http://www.jessalynnkeller.com/2011/10/08/85/</link>
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		<pubDate>Sat, 08 Oct 2011 03:01:50 +0000</pubDate>
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		<category><![CDATA[girls]]></category>
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		<description><![CDATA[Today I was a panelist at the KUT&#8217;s Views and Brew&#8217;s presentation of The Kitchen Sisters&#8217; NPR series, The Hidden World of Girls. Check back for a link to our discussion about the identity of &#8216;girl&#8217;, girlhood rituals and rites of passages, and  why we need to hear girls&#8217; stories. In the meantime, check out [...]]]></description>
			<content:encoded><![CDATA[<p><span style="color: #4c004c;">Today I was a panelist at the KUT&#8217;s Views and Brew&#8217;s presentation of The Kitchen Sisters&#8217; NPR series, <em>The Hidden World of Girls. </em>Check back for a link to our discussion about the identity of &#8216;girl&#8217;, girlhood rituals and rites of passages, and  why we need to hear girls&#8217; stories. In the meantime, check out their <span style="text-decoration: underline;"><a href="http://www.kitchensisters.org/girlstories/" target="_blank"><span style="color: #4c004c; text-decoration: underline;">site</span></a></span> and hear some of the fabulous stories they&#8217;ve collected from girls around the world.</span></p>
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